A dead puffin on the path to the shore, steep. It’s a dry kind of moment in this unreal autumn, not knowing whether to mourn or be curious about the colours.
The shingle, a shell’s span of time: the brittle crunch beneath my feet. One tiny boat, handmade, handpainted, LV426 run aground on a driftwood trunk, another further on, a steamboat, its painted funnel an exclamation in black, in red, faint shout across the sound to a safer haven.
Edinburgh, October 2020 (Following a walk to the beach at Eagle Rock)
Some of you will know that for several years I’ve operated a separate project (“Edinburgh Drift”) which has encompassed a sort of semi-fictional, semi-dreamlike notion of walking and wondering. And trying to put all of that into words as best I can.
This project will continue but I’ve decided to incorporate everything here, under my own name. The website edindrift.me will exist until it doesn’t, but any new work on the project will appear on this website, not the original Edinburgh Drift site.
Quite a number of people follow the original site, so if you get to read this and would like to follow this one instead, I’d be very grateful. On the right hand side of this page, there’s a WordPress follow button (if you use the WordPress reader) or you can also follow the site by email. Thanks!
22 years ago: a rare Glasgow performance by Richard Youngs and me, put on by the inestimable Liam Stefani as one of his Scatter nights at the legendary 13th Note.
Richard and I performed a bowed bass guitar duo. Also on the bill that night was remarkable saxophonist Tony Bevan. We were lucky to have the opportunity to play a trio with him: bowed bass guitars and Tony’s subterranean bass saxophone.
Both the duo and trio performances are here to download for free/pay what you like on Liam Stefani’s Scatter Archive.
Released today, Distantsis a collection of compilation tracks, online pieces (self-released and released by others) and some other oddities. There’s one very short unreleased track, which comes from the same sessions as Suburban Electrification.
There are 28 pieces across more than 120 minutes, and there’s a lot of variety in tone and texture—something for everyone, perhaps? I’ve set the release as “pay what you like” so you can download for free if you wish. If you do want to pay something for it, today (Friday 5 June) is one of the days when Bandcamp is waiving its fees so today would be the perfect opportunity for a purchase! (And all other releases are set the same way, too, in case there’s anything you’re missing…)
I’ve uploaded a long—a very long—field recording piece today, endecade. At 200 minutes’ duration, this is the longest single release I’ve created. Click on the image below to go to the download page.
It’s a largely quiet and unassuming recording made in a suburban back garden somewhere in Edinburgh in the last few hours of the last decade. The punctuation points are revelry and fireworks, but it mainly just exists for its duration and allows the listener to exist in that duration too. I wasn’t present for any of the timespan of the piece; my contribution to it all is absence.
endecade is available as a pay what you like album—and you can of course download for free if you want.