Scottish writer and sound artist
茶 A Quiet Song is a new release I’ve been working on for a few months, and which is now available. Call it an isolation hymn; a paean to inwardness and reflection; a song of songs without words.
Sing—quietly—with me to the birds of this strange summer, in ceremony not in cerements.
You can listen to and buy the album here.
Released today, Distants is a collection of compilation tracks, online pieces (self-released and released by others) and some other oddities. There’s one very short unreleased track, which comes from the same sessions as Suburban Electrification.
There are 28 pieces across more than 120 minutes, and there’s a lot of variety in tone and texture—something for everyone, perhaps? I’ve set the release as “pay what you like” so you can download for free if you wish. If you do want to pay something for it, today (Friday 5 June) is one of the days when Bandcamp is waiving its fees so today would be the perfect opportunity for a purchase! (And all other releases are set the same way, too, in case there’s anything you’re missing…)
You can find Distants here.
Thanks to you all for listening and I hope you are able to stay safe and well.
I’ve uploaded a long—a very long—field recording piece today, endecade. At 200 minutes’ duration, this is the longest single release I’ve created. Click on the image below to go to the download page.
It’s a largely quiet and unassuming recording made in a suburban back garden somewhere in Edinburgh in the last few hours of the last decade. The punctuation points are revelry and fireworks, but it mainly just exists for its duration and allows the listener to exist in that duration too. I wasn’t present for any of the timespan of the piece; my contribution to it all is absence.
endecade is available as a pay what you like album—and you can of course download for free if you want.
Thanks for listening.
Fine sand is poured from a pouch,
trickled onto a tray or table,
fingertips are used to find figures,
tracing, erasing, effacing, shaping . . .
The mysterious art of sand reading explored in text by Mark Valentine and music by Brian Lavelle, with black and white photography by Jo Valentine.
This collaborative project is published in February 2018 by Seacliff Press, a small press Mark and I have established. There’s a Twitter account here for occasional news items.
Professionally printed 16 page booklet with professionally duplicated CD. Limited to 120 numbered copies, of which 100 only are for sale.
Psammomancy is available from Mark direct: contact markl [dot] valentine [at] btinternet [dot] com, removing spaces and replacing the words in brackets with characters.
(Note, the fifth character is the letter ell not the number one.)
Language of Objects: a new book and CD by Murdo Eason of the Fife Psychogeographical Collective and me, Brian Lavelle.
Language of Objects: a 58 page professionally printed book in full colour inside and out, accompanied by a glass mastered CD with a separate download code. Text and images are by Murdo; sound by me; cover design by Vincent Pacheco. The CD contains a new 28 minute composition—Sullen Charybdis, the Blue of Scarabs—which is my response to the imagery in the book.
Language of Objects: published on 14 September 2017 by Blind Roads Press, our collaborative imprint.
The book/CD is available for £10.99 plus postage and can be ordered here.
Technical details
Paperback, 58pp, full colour, 148 x 210mm, perfect bound
300gsm cover, 120gsm interior
Glass mastered CD
Edition of 100 copies
Published 14 September 2017
ISBN 978-1-9997718-0-5
Brian Lavelle 