Live in Glasgow, 13 July 1998

22 years ago: a rare Glasgow performance by Richard Youngs and me, put on by the inestimable Liam Stefani as one of his Scatter nights at the legendary 13th Note.

Richard and I performed a bowed bass guitar duo. Also on the bill that night was remarkable saxophonist Tony Bevan. We were lucky to have the opportunity to play a trio with him: bowed bass guitars and Tony’s subterranean bass saxophone.

Both the duo and trio performances are here to download for free/pay what you like on Liam Stefani’s Scatter Archive.

茶 A Quiet Song

A Quiet Song is a new release I’ve been working on for a few months, and which is now available. Call it an isolation hymn; a paean to inwardness and reflection; a song of songs without words.

Sing—quietly—with me to the birds of this strange summer, in ceremony not in cerements.

You can listen to and buy the album here.

Distants

Released today, Distants is a collection of compilation tracks, online pieces (self-released and released by others) and some other oddities. There’s one very short unreleased track, which comes from the same sessions as Suburban Electrification.

There are 28 pieces across more than 120 minutes, and there’s a lot of variety in tone and texturesomething for everyone, perhaps? I’ve set the release as “pay what you like” so you can download for free if you wish. If you do want to pay something for it, today (Friday 5 June) is one of the days when Bandcamp is waiving its fees so today would be the perfect opportunity for a purchase! (And all other releases are set the same way, too, in case there’s anything you’re missing…)

You can find Distants here.

Thanks to you all for listening and I hope you are able to stay safe and well.

A new recording – endecade

I’ve uploaded a long—a very long—field recording piece today, endecade. At 200 minutes’ duration, this is the longest single release I’ve created. Click on the image below to go to the download page.

Click to open the album page in a new tab

It’s a largely quiet and unassuming recording made in a suburban back garden somewhere in Edinburgh in the last few hours of the last decade. The punctuation points are revelry and fireworks, but it mainly just exists for its duration and allows the listener to exist in that duration too. I wasn’t present for any of the timespan of the piece; my contribution to it all is absence.

endecade is available as a pay what you like album—and you can of course download for free if you want.

Thanks for listening.

Language of Objects book & CD

Language of Objects - front coverLanguage of Objects: a new book and CD by Murdo Eason of the Fife Psychogeographical Collective and me, Brian Lavelle.

Language of Objects: a 58 page professionally printed book in full colour inside and out, accompanied by a glass mastered CD with a separate download code. Text and images are by Murdo; sound by me; cover design by Vincent Pacheco. The CD contains a new 28 minute composition—Sullen Charybdis, the Blue of Scarabs—which is my response to the imagery in the book.

Language of Objects: published on 14 September 2017 by Blind Roads Press, our collaborative imprint.

The book/CD is available for £10.99 plus postage and can be ordered here.

 

Technical details
Paperback, 58pp, full colour, 148 x 210mm, perfect bound
300gsm cover, 120gsm interior
Glass mastered CD
Edition of 100 copies
Published 14 September 2017
ISBN 978-1-9997718-0-5

Fougou – The Boleigh Working

Lit faintly by candlelight and by whatever remaining daylight could penetrate the opening, we recorded the various sections of The Boleigh Working live within the depths of Boleigh fogou itself. Ankle deep in mud and cold water, we played and listened as the fogou listened and played with us. The structure seemed to be alive, even if it was hard to forget that Boleigh means ‘the place of slaughter’.

boleigh_working

The listener might hear odd noises in this recording which neither of us was responsible for producing: strange subterranean knockings and unexplained whirrings and whinings. It’s for the best, no doubt, that the voice of the woman (if that’s what she was) we both were convinced we’d heard down there, in the dark and the damp, whose spectral whispering caused the hairs on the back of our necks to stand up, wasn’t captured in any recognisable sense by the recording equipment.

So, be warned: this is Fougou ‘unplugged’, without effects or processing of any description; without even the comforting spark of mains electricity to light our way. We hope you enjoy listening as much as we enjoyed the immersive experience of the invocation.

You can download the album here.

Prelapsarian

I’ve released a new, longform piece today for free download, or pay what you want, if you’re so inclined. It’s entitled Prelapsarian and you can get it here.

This is a mediation on the lumbering, sneering bulk of Time; and on forgotten places, occluded spaces, in days past I choose to recall as more innocent. It is for Jill, with love.

The piece was recorded in earlier this Spring 2014 and mixed and mastered this month, in Edinburgh. A small, private, physical edition for friends is contemplated.

Let me know what you think of it.

56 Revealings; and a curiosity from the vaults

56 Revealings

Available from today, and for free, gratis, whatever, if you so choose, is a new work 56 Revealings which was destined for release on cassette but the label ceased operations. The two events are surely unconnected. Anyway, here’s 50 new minutes of music from me across two sides of abstraction. I hope you enjoy it.

Separately, I thought I would resurrect some old material and so here–in all its millenarian glory–is fault/r, my ‘dance music’ album from the year 2000. Some people seem to like it. More information about it on the release page.