- Glasgow Improvisers Orchestra & Maggie Nicols, Edinburgh, 9 July 2024
- the orchard
- A new poem in the second issue of Password
- A new poem in aswirl, issue five
- the arch above
- At the Temple of Mithras
- Two bays, for a friend
- Hellebores
- A new single-line poem in whiptail, issue 9
- turning, turning
- variant, you
- Two poems in aswirl, issue four
- Three haiku
- Poem in D minor (for guitar)
- Wavecrash One
- La Maison des Feins
- Greenhall: a memory
- tree's arc
- comma,
- Lines
- Nine scenes from a diminutive notebook, January 2017
- Notes from the Red Moss, 2 June 2023
- There is time always to consider time
- 10 March 2023
- Six strings; some sea; the unknown
- Untitled poem, 20 January 2023
- Two Solstice haiku
- empty omen
- Orkney notes, 8 April 2022
- Orkney notes, 7 April 2022
- Orkney notes, 6 April 2022
- Orkney notes, 5 April 2022
- Orkney notes, 4 April 2022
- Time is not a conflagration
- Disappear into the vanishing point
- Shoreswerve or shoresweave: a waterlogged alphabet
- Unidentify me in woods, in rain
- Does desolation have a waveform?
- A man, a plan, a canal
- Happy new year
- Year in review
- Tiny Boats
- Continuing the drift
- Live in Glasgow, 13 July 1998
- 茶 A Quiet Song
- Distants
- endecade
- Warriston Cemetery: arise up and call
- Cramond Island: between the teeth of the sea and the sand
- Mercury rising: into the underworld at Eagle Rock
- The ghosts of Meadowfield and a house turned in on itself
- Cammo Estate: garden of broken paths
- A Dryad on Marine Drive
- The fort on the river
- The industrial xenotopia of West Shore Road, part two
- The industrial xenotopia of West Shore Road, part one
- Dean Cemetery: the way upward and the way downward
- Seacliff, and the Magi manifested
- A wooden hill monster near Hillwood